How Jenn Johnson sang a song into her phone on a country road after adopting her son — and how those unrehearsed words of gratitude became one of the most beloved worship anthems of the 21st century, winning Song of the Year at the 2023 GMA Dove Awards and topping the Billboard Gospel Chart through CeCe Winans’ iconic cover
Introduction: A Song Born on a Country Road
Some of the greatest worship songs in Christian history were born not in recording studios or songwriting retreats, but in the unguarded, unscripted moments of ordinary life — when someone is simply driving down a road and a truth so large and so personal that it cannot be contained suddenly pours out of them and into the air. Charles Wesley reportedly wrote hymns on horseback. Rich Mullins drove with the windows down. And in 2018, Jenn Johnson was driving on a long country road in northern California, freshly home from adopting her son, when she grabbed her phone and started singing.
What she sang into that phone — a raw, grateful, overflowing declaration of God’s faithfulness in her life — became the foundation of “Goodness of God.” It was refined, co-written with an extraordinary team of songwriters, professionally recorded at Bethel Church in Redding, California, and released in January 2019 on Bethel Music’s album Victory. Within months it had spread to churches around the world. Within two years it had been covered by one of the greatest voices in Gospel music history. And in October 2023 — four years after its release — it stood on the stage of the GMA Dove Awards in Nashville as Song of the Year. The song that began on a country road with a phone and a grateful heart had become the most celebrated worship song of its era.
Jenn Johnson: The Woman Behind the Voice
Jennifer “Jenn” Johnson was born on April 15, 1982, and grew up in the orbit of Bethel Church in Redding, California — one of the most influential evangelical churches in contemporary American Christianity. As a teenager, she found herself drawn deeply into worship, and it was at Bethel that she met Brian Johnson, son of the church’s senior pastor Bill Johnson. They married in 2000, and in doing so she became not just a member of Bethel’s community but a central architect of its worship culture.
Together, Brian and Jenn Johnson have been leading worship at Bethel Church for over 25 years. In 2001, they released their debut live worship album Undone as Brian & Jenn Johnson. But it was as part of the collective known as Bethel Music — which they co-founded — that their impact became global. Bethel Music is not merely a worship band. It is a worship community: a collective of resident songwriters, worship leaders, and musicians at Bethel Church who record live worship services and release them to the world. The collective has produced some of the most widely sung worship music of the past two decades, including “This Is Amazing Grace” (Phil Wickham), “No Longer Slaves,” “Raise a Hallelujah,” and dozens of others.
Jenn became President of Bethel Music in 2021 — a role she had effectively been fulfilling for years before the title was formalized. She is also the founder of Lovely by Jenn Johnson, a lifestyle brand focused on wholeness and beauty for women, and the author of the book All Things Lovely (2021). Premier Christianity magazine identified “Goodness of God” as the third-most sung worship song in the UK according to CCLI data — a staggering testament to a woman who began her worship ministry as a teenager in a California church and never stopped.
Her five children — Haley, Téa, Braden, Ryder Moses, and Malachi Judah — are woven through the fabric of her music. Two of them, Ryder Moses and Malachi Judah, were adopted. And it is from the journey of adoption — specifically the adoption of Ryder Moses — that “Goodness of God” was born.
Ryder Moses: The Adoption That Changed Everything
Ryder Moses Johnson. The name itself is a theological statement. “Ryder” suggests a journey — someone on the move. “Moses” means “drawn out of the water” — but in Jenn and Brian’s intentional selection, they understood it as pointing to a deeper meaning: deliverer, one rescued in order to rescue others. Ryder Moses: adopted deliverer. A child drawn out of one situation and placed into a family, just as Moses was drawn from the Nile and placed into Pharaoh’s household — and then used to deliver a nation.
The adoption process is rarely simple or painless. For the Johnsons, it involved a long season of waiting, uncertainty, paperwork, prayer, and the particular kind of emotional exhaustion that comes from loving a child before you can hold them. And it was during this season — specifically in the period after they had finally brought Ryder home — that Jenn found herself driving on a country road in northern California, overcome with gratitude.
In her own words, as shared in multiple interviews and summarized powerfully in her conversation with Worship Leader magazine: “I just was so overcome with the goodness of God in my life and that’s my song, you know, because God has just walked me through hell and high water and His voice and the power of His word have gotten me through everything and it’s my anchor.” She grabbed her phone — not a notebook, not a piano, not a recording setup — and sang what was in her heart into the phone’s voice memo app while driving. What came out was not a polished song. It was a testimony. A declaration. An overflowing of a heart that had seen God be faithful in the hardest places and could not stay silent about it.
Those raw recorded words became the seed of “Goodness of God.” Jenn later brought the melody and the heart of the song to a co-writing session that included her husband Brian Johnson, as well as professional CCM songwriters Ed Cash, Ben Fielding (of Hillsong Worship), and Jason Ingram. Together, they shaped the rough material into the structured, singable, theologically rich song that the world would come to know.
The Songwriters: A Team of Five
“Goodness of God” carries five writing credits — an unusually collaborative origin for a worship song that feels so intimate and personal. Each songwriter brought something essential to the final result.
Jenn Johnson provided the heart — the lived experience, the melody fragment, the emotional core. The song is, first and foremost, her testimony. Without her voice and her story, there is no song.
Brian Johnson — her husband and longtime musical partner — helped develop the musical structure and theological depth. Brian is himself an accomplished songwriter and worship leader at Bethel, and his fingerprints are on many of Bethel Music’s most enduring songs.
Ed Cash is one of the most decorated producers and co-writers in contemporary Christian music. He has written or co-written some of the most widely sung songs of the past two decades, including “How He Loves,” “Your Grace Is Enough,” and material for Chris Tomlin, Christy Nockels, and countless others. Cash also produced “Goodness of God,” handling the sonic architecture of the recording that would be released on Victory.
Ben Fielding is an Australian songwriter and worship leader with Hillsong Worship, whose credits include “What a Beautiful Name,” “This I Believe (The Creed),” and “King of Kings.” His contribution to “Goodness of God” connects the song to the broader global worship movement that Hillsong and Bethel have jointly shaped over the past two decades.
Jason Ingram is a Nashville-based songwriter and producer with multiple GMA Dove Awards to his name, known for his work with Chris Tomlin, Matt Maher, and Crowder. His expertise in shaping lyrics for congregational singability — clarity, repetition, emotional arc — helped give “Goodness of God” the structure that makes it so easy for a congregation to learn and internalize.
Scripture Foundation: Psalm 23 and the Pursuing God
The theological heart of “Goodness of God” is anchored most directly in Psalm 23:6 — one of the most famous verses in the entire Bible:
“Surely goodness and mercy shall follow me all the days of my life, and I will dwell in the house of the Lord forever.” — Psalm 23:6 (ESV)
The bridge of “Goodness of God” — “Your goodness is running after, it’s running after me” — is a direct and deliberate paraphrase of this verse, and the Hebrew behind the English word “follow” is the key to understanding why. The Hebrew word used in Psalm 23:6 is radaph, which means not merely to walk behind or accompany, but to pursue, to chase, to run after. It is the same word used for a pursuer or an enemy in hot pursuit. Machias Valley Baptist Church’s Pastor Zach explained it this way: “God often has to drive us, push and prod us, to go down the path we would rather not tread. Yet when we do, not only does He Himself follow us — ‘Goodness’ with a capital ‘G’ — but ‘goodness’ follows; that is, good results follow our obedience.”
The songwriters understood what most casual readers of Psalm 23 miss: David is not describing a gentle, passive God who happens to be nearby. He is describing a God who pursues His people with goodness and mercy the way a determined hunter pursues prey. The goodness of God is not waiting for you to deserve it. It is running after you — through the valley of the shadow of death, through the seasons you didn’t choose, through the roads you drove in tears with a phone recording your prayers.
The song also draws richly from several other scriptural streams. The opening lines echo Exodus 33:19, where God declares to Moses: “I will cause all my goodness to pass in front of you.” Psalm 89:1 in the Amplified Bible reads: “I will sing of the goodness and lovingkindness of the Lord forever; with my mouth I will make known your faithfulness from generation to generation” — the theological DNA of the chorus. Psalm 34:8 — “Taste and see that the Lord is good” — and Psalm 27:13 — “I will see the goodness of the Lord in the land of the living” — provide further roots. And the bridge’s language of surrender — “With my life laid down, I surrender now, I give You everything” — echoes Romans 12:1: “Present your bodies as a living sacrifice, holy and acceptable to God, which is your spiritual worship.”
Lyrical Analysis: Every Line a Declaration
Verse 1 — Morning to Night
I love You, Lord, for Your mercy never fails me All my days, I’ve been held in Your hands From the moment that I wake up until I lay my head Oh, I will sing of the goodness of God
The opening words — “I love You, Lord” — are arresting in their simplicity. This is not the language of theology from a distance. It is the language of relationship. The decision to open a worship song with “I love You” is rare and bold; it assumes an intimacy with God that the song will then spend its remaining lines justifying. “Mercy never fails me” is a claim of lifelong faithfulness — not a good season or a favorable moment, but a consistent, unbroken track record. “From the moment that I wake up until I lay my head” covers the entire arc of a day — morning prayers to evening rest — and says: every moment of every day, He has been there. The verse ends with a decision: “I will sing.” Not “I feel like singing” or “I am moved to sing” — but “I will.” It is a choice of the will, not merely an emotion of the moment.
Chorus — The Summary of a Life
All my life You have been faithful All my life You have been so, so good With every breath that I am able Oh, I will sing of the goodness of God
“All my life” is a sweeping, retrospective claim. It is the language of testimony, not aspiration. The singer is not hoping God will be faithful in the future. They are declaring that He already has been — from the first breath to the present moment. The phrase “so, so good” is theologically unpretentious and emotionally authentic. It doesn’t reach for a scholarly word. It says what you say when you mean it: so good. “With every breath that I am able” ties the act of worship to the very fact of biological life — as long as air fills these lungs, praise will fill this mouth. It is an echo of Psalm 150:6 and a rehearsal of eternity.
Verse 2 — Walking Through the Hard Places
I love Your voice, You have led me through the fire In the darkest night, You are close like no other I’ve known You as a Father, I’ve known You as a Friend And I have lived in the goodness of God
The second verse is where the song goes deeper than celebration into testimony. “You have led me through the fire” — this is not a metaphor for mild difficulty. It is the language of the furnace, of Daniel 3, of the refiner’s fire in Malachi 3. Jenn Johnson has said in her own words that “God has just walked me through hell and high water.” This verse is the honest acknowledgment of that. And the declaration is not “You rescued me from the fire” but “You led me through it.” The fire was real. The darkness was real. And God was closer in it than He is in the easy seasons — “close like no other.” The verse then moves from the fires of life to the character of God: Father and Friend. Creator-authority and covenant-intimacy. Both at once. And the final line — “I have lived in the goodness of God” — is the conclusion of a life examined: wherever I have been, whatever I have walked through, I have lived there. In His goodness. Always.
Bridge — Surrender and Pursuit
Your goodness is running after, it’s running after me Your goodness is running after, it’s running after me With my life laid down, I surrender now I give You everything Your goodness is running after, it’s running after me
The bridge is the emotional and theological climax. “Running after me” — radaph — the pursuing God of Psalm 23. But here is what makes the bridge theologically rich rather than merely poetic: the response to being pursued is not to run faster or to stand still and receive passively — it is to lay down your life and surrender. “With my life laid down, I surrender now, I give You everything.” When you know that the One running after you is the God of goodness and not a threat, the only rational response is to stop running and fall down in worship. The bridge is the moment in the song where testimony becomes surrender, and gratitude becomes consecration.
Timeline: From Phone Recording to Dove Award
Year
Event
1982
Jenn Johnson born April 15 in Redding, California
2000
Jenn marries Brian Johnson; joins Bethel Church worship leadership
2001
Brian & Jenn Johnson release debut live worship album Undone
2001
Bethel Music collective formally established; Jenn is a founding member
2017–2018
Jenn and Brian Johnson begin the adoption process for Ryder Moses Johnson (“adopted deliverer”)
2018
Jenn sings the raw melody and lyrics of “Goodness of God” into her phone while driving on a country road after bringing Ryder Moses home; the voice memo becomes the foundation of the song
2018–2019
Co-writing sessions with Brian Johnson, Ed Cash, Ben Fielding, and Jason Ingram; the song is developed, structured, and produced by Ed Cash
January 4, 2019
“Goodness of God” released as a promotional single ahead of the Victory album
January 25, 2019
Bethel Music’s Victory album released; “Goodness of God” is track 3
November 1, 2019
Radio single version released digitally
November 8, 2019
Song begins play on Christian radio stations; peaks at No. 15 on the US Hot Christian Songs chart
2020
Nominated for GMA Dove Award for Worship Recorded Song of the Year; Bethel Music releases alternate version on the album Peace
2021
CeCe Winans records her version of “Goodness of God” for her live album Believe For It; Jenn Johnson becomes President of Bethel Music
2021–2022
CeCe Winans’ version peaks at No. 6 on Hot Christian Songs and No. 2 on Hot Gospel Songs; surpasses 48 million streams and 320 million video views; becomes a #1 Billboard Gospel Radio hit; CeCe wins Grammy for Best Gospel Album (Believe For It) at the 2022 Grammy Awards
September 2022
CeCe Winans releases official music video for her version of “Goodness of God”; over 100 million views on TikTok alone
October 20, 2023
“Goodness of God” wins Song of the Year at the 54th Annual GMA Dove Awards in Nashville — presented by MultiTracks.com — four years after its initial release
2024–present
Song remains among the top-ranked worship songs globally on CCLI; listed as third-most sung worship song in the UK; continues to be sung in churches in dozens of languages on every continent
CeCe Winans: The Cover That Changed Everything
When CeCe Winans — the most awarded female Gospel artist of all time, with 15 Grammy Awards and 27 Dove Awards — chose to record “Goodness of God” for her 2021 live album Believe For It, she did not merely add a cover version to a catalog. She gave the song a second life that introduced it to an entirely different audience and took it to heights it had not previously reached.
CeCe’s version peaked at No. 6 on the Hot Christian Songs chart and No. 2 on the Hot Gospel Songs chart. It reached No. 1 on the Billboard Gospel Radio Chart. It accumulated over 48 million streams and an astonishing 320 million video views combined across platforms. On TikTok alone, her version gathered over 100 million views — making it one of the most viral Gospel videos in the platform’s history. At the 2022 Grammy Awards, her album Believe For It won Best Gospel Album, and the song was central to that recognition.
What CeCe brought to “Goodness of God” was the weight of a 40-year career of standing on stages and declaring the goodness of God through every personal and national storm. When she sang “I’ve known You as a Father, I’ve known You as a Friend,” audiences who knew her story heard the testimony behind the testimony. The song crossed from contemporary worship into Gospel, from predominantly white evangelical spaces into predominantly Black Gospel spaces, and in doing so it became one of the truly ecumenical worship anthems of the modern era — sung by virtually every tradition, in virtually every style.
Notable Recordings and Performances
Artist / Recording
Notes
Bethel Music & Jenn Johnson
Victory (2019); original live recording at Bethel Church, Redding, CA; the definitive original version
CeCe Winans
Believe For It (2021); peaked No. 6 Hot Christian Songs, No. 2 Hot Gospel Songs, No. 1 Billboard Gospel Radio; over 320M combined video views; Grammy Award-winning album
Bethel Music (instrumental)
Without Words: Genesis (2019); released November 15, 2019
Bethel Music (alternate)
Peace (2020); released April 10, 2020
Various worship teams
One of the most widely covered contemporary worship songs globally; arrangements in dozens of languages and styles across every denomination
South Fellowship, Machias Valley Baptist, and thousands of local churches
Adopted as a congregational standard in churches of every size and tradition; frequently paired with sermon series on Psalm 23, faithfulness, and God’s character
Frequently Asked Questions
Who wrote “Goodness of God”?
“Goodness of God” was co-written by Jenn Johnson, Brian Johnson, Ed Cash, Ben Fielding, and Jason Ingram. It was originally performed and recorded by Bethel Music and Jenn Johnson, released on the album Victory on January 25, 2019. Ed Cash also served as producer.
What inspired Jenn Johnson to write “Goodness of God”?
Jenn Johnson was inspired by the adoption of her fourth child, Ryder Moses Johnson (whose name means “adopted deliverer”). While driving on a country road in northern California after bringing Ryder home, she was overwhelmed with gratitude for God’s faithfulness and began singing into her phone. Those recorded words became the foundation of the song.
What Bible verse is “Goodness of God” based on?
The song’s bridge — “Your goodness is running after, it’s running after me” — is a direct paraphrase of Psalm 23:6: “Surely goodness and mercy shall follow me all the days of my life.” The Hebrew word for “follow” (radaph) means “to run after, pursue.” The song also draws on Psalm 89:1, Psalm 34:8, Psalm 27:13, Exodus 33:19, and Romans 12:1.
Did “Goodness of God” win any major awards?
Yes. “Goodness of God” won Song of the Year at the 54th Annual GMA Dove Awards on October 20, 2023 — four years after its initial release. CeCe Winans’ 2021 cover version also helped her album Believe For It win Best Gospel Album at the 2022 Grammy Awards. CeCe’s version reached No. 1 on the Billboard Gospel Radio Chart.
Who is Jenn Johnson?
Jenn Johnson (born April 15, 1982) is Co-Founder and President of Bethel Music, Senior Worship Pastor at Bethel Church in Redding, California, author of All Things Lovely (2021), founder of Lovely by Jenn Johnson, and mother of five children. She and her husband Brian Johnson have been leading worship at Bethel for over 25 years. “Goodness of God” is considered the defining song of her career and is currently listed as one of the top-three most sung worship songs in the United Kingdom by CCLI.
Legacy: What Makes a Song Last
It is worth pausing to ask: why does “Goodness of God” connect so deeply, so broadly, and so enduringly? Many worship songs are released every year. Most are forgotten within months. A few last a decade. Very few become the kind of song that a church in Nigeria and a church in Nebraska and a church in South Korea all sing on the same Sunday morning, with equal conviction and equal tears.
The answer is not primarily musical, though the music is excellent. The key of A-flat, the moderate rock tempo, the simple verse-chorus-bridge structure — these are well-crafted elements, but they don’t explain the song’s reach. The answer is theological and testimonial simultaneously. “Goodness of God” does something that the greatest worship songs always do: it puts into universally singable words a truth so personal that every individual worshipper feels it was written specifically about their own life.
When the congregation sings “I love You, Lord, for Your mercy never fails me,” they are not singing about Jenn Johnson’s adoption story. They are singing about their own story — their own fires, their own dark nights, their own moments of being held in hands they could not see. When they sing “Your goodness is running after me,” they are not thinking about Psalm 23:6 in the abstract. They are thinking about the moment they were sure they had gone too far, wandered too long, failed too completely — and discovered that Goodness had been running after them all along.
That is the gift Jenn Johnson gave the church when she grabbed her phone on that country road. Not a performance. Not a production. A testimony. And testimonies, when they are true, when they are rooted in Scripture, and when they are offered with the kind of transparency that costs something — those are the seeds that grow into songs that outlast the moment and outlive the singer. “Goodness of God” will be sung long after every chart position is forgotten, long after every streaming number is obsolete, long after the 54th Annual GMA Dove Awards is a footnote in a history book. It will be sung because the God it describes is still pursuing people on country roads, in adoption waiting rooms, in darkest nights and hardest seasons — and He is still running after them with the same relentless, irresistible goodness He always has been.
Who is worthy to open the scroll of history and eternity? In this message, we dive into Revelation 5 to witness the “Special Search” for the one worthy to loose the seven seals. While John wept when no one was found in heaven or earth, his tears were turned to joy at the revelation of the Lion of the tribe of Judah—the Root of David who has prevailed.
Audio
Video
Notes
Revelation 5:1 And I saw in the right hand of Him who sat on the throne a scroll
written inside and on the back, sealed with seven seals.
Revelation 5:2 Then I saw a strong angel proclaiming with a loud voice, “Who is worthy
to open the scroll and to loose its seals?”
Revelation 5:3 And no one in heaven or on the earth or under the earth was able
to open the scroll, or to look at it.
Revelation 5:4 So I wept much, because no one was found worthy to open and
read the scroll, or to look at it.
Revelation 5:5 But one of the elders said to me, “Do not weep. Behold, the Lion
of the tribe of Judah, the Root of David, has prevailed to open the scroll and to
loose its seven seals.”
Revelation 5:6 And I looked, and behold, in the midst of the throne and of the
four living creatures, and in the midst of the elders, stood a Lamb as though
it had been slain, having seven horns and seven eyes, which are the seven Spirits
of God sent out into all the earth.
Hebrews 13:8 Jesus Christ is the same yesterday, today, and forever.
So worship in eternity in heaven is the same yesterday, today and forever.”
Revelation 5:1 And I saw in the right hand of Him who sat on the throne a scroll
written inside and on the back, sealed with seven seals.
Those great theologians the Eagles in their song “The Last Resort” sang:
And you can see them there on Sunday morning
Stand up and sing about what it’s like up there
They call it paradise, I don’t know why
You call someplace paradise, kiss it goodbye
1. THE SPECIAL SEARCH FOR THE WORTHY ONE.
Revelation 5:2 Then I saw a strong angel proclaiming with a loud voice, “Who is worthy
to open the scroll and to loose its seals?”
Revelation 5:3 And no one in heaven or on the earth or under the earth was able
to open the scroll, or to look at it.
The person doing the saving can’t have the same problem as the one who needs
to be saved.
Revelation 5:4 So I wept much, because no one was found worthy to open and
read the scroll, or to look at it.
W. A. Criswell once wrote: “These tears of John represent the tears of all God’s
people through all the centuries.”
2. THE SPECIFIC SELECTION OF THE WORTHY ONE.
Revelation 5:5 But one of the elders said to me, “Do not weep. Behold, the Lion
of the tribe of Judah, the Root of David, has prevailed to open the scroll and to
loose its seven seals.”
Matthew 1:1 The book of the genealogy of Jesus Christ, the Son of David,…
Jesus not only comes from David, but David comes from Him.
Matthew 22:45 If David then calls Him ‘Lord,’ how is He his Son?
Revelation 22:16 “I, Jesus, have sent My angel to testify to you these things in the
churches. I am the Root and the Offspring of David, the Bright and Morning Star.”
Revelation 5:5 “… the Lion of the tribe of Judah, the Root of David, has prevailed to
open the scroll and to loose its seven seals.”
Revelation 5:5 (NLT) “… Look, the Lion of the tribe of Judah, the heir to David’s throne,
has won the victory. He is worthy to open the scroll and its seven seals.
3. THE SLAIN SACRIFICE KNOWN AS THE WORTHY ONE
Revelation 5:6 And I looked, and behold, in the midst of the throne and of the
four living creatures, and in the midst of the elders, stood a Lamb as though
it had been slain, ,,,
Exodus 12:3 (EASY) Tell all the Israelite people to do this on the tenth day of this
month: Each man must choose a lamb to kill as a sacrifice for his family.
That will be one lamb for each home.
1 Corinthians 5:7 “… For indeed Christ, our Passover, was sacrificed for us.
The bridge of the song “Here I Am to Worship,” written by Tim Hughes
“I’ll never know how much it cost to see my sin upon that cross”
Revelation 5:6 And I looked, and behold, in the midst of the throne and of the
four living creatures, and in the midst of the elders, stood a Lamb as though
it had been slain, having seven horns and seven eyes, which are the seven
Spirits of God sent out into all the earth.
Revelation 5:12 …”Worthy is the Lamb who was slain to receive power and riches
and wisdom, and strength and honor and glory and blessing!”
Revelation 5 sermon: In “Who Has Control of the Scroll of Destiny?” Victory Baptist studies the sealed scroll in Revelation 5 and why Jesus Christ, the Lamb of God and Lion of Judah, is worthy to open it. This sermon explains the scroll as the title deed to the earth, the dominion lost by the first Adam, and the redemption regained by the Last Adam through His victorious sacrifice.
Sermon Audio
Sermon Video
Sermon Notes
Revelation 5:1 And I saw in the right hand of Him who sat on the throne a scroll
written inside and on the back, sealed with seven seals.
Revelation 5:2 Then I saw a strong angel proclaiming with a loud voice, “Who is worthy
to open the scroll and to loose its seals?”
Revelation 5:3 And no one in heaven or on the earth or under the earth was able
to open the scroll, or to look at it.
Revelation 5:4 So I wept much, because no one was found worthy to open and
read the scroll, or to look at it.
Revelation 5:5 But one of the elders said to me, “Do not weep. Behold, the Lion
of the tribe of Judah, the Root of David, has prevailed to open the scroll and to
loose its seven seals.”
Revelation 5:6 And I looked, and behold, in the midst of the throne and of the
four living creatures, and in the midst of the elders, stood a Lamb as though
it had been slain, having seven horns and seven eyes, which are the seven Spirits
of God sent out into all the earth.
Revelation 5:7 Then He came and took the scroll out of the right hand of Him who
sat on the throne.
Revelation 5:8 Now when He had taken the scroll, the four living creatures and
the twenty-four elders fell down before the Lamb, each having a harp, and golden
bowls full of incense, which are the prayers of the saints.
Revelation 5:9 And they sang a new song, saying: “You are worthy to take the scroll,
and to open its seals; For You were slain, and have redeemed us to God by Your blood
out of every tribe and tongue and people and nation,
Revelation 5:10 And have made us kings and priests to our God; And we shall reign on
the earth.”
1. The Scroll in the Hands of the One on the Throne
Revelation 5:1 And I saw in the right hand of Him who sat on the throne a scroll
written inside and on the back, sealed with seven seals.
Here are seven views regarding the contents of the scroll
1. The book of the new covenant, which has yet to be instituted with Israel in
the millennial kingdom
2. A book of redemption (the Lamb’s book of life)
3. The title deed to the earth!
4. The events of the Tribulation (a doomsday book)
5. A bill of divorce—the Lamb divorcing unfaithful Israel
6. A record of the sins of mankind
7. A testament or will
2. The Scroll in the Hands of the First Adam
Genesis 1:26 Then God said, “Let Us make man in Our image, according to Our likeness;
let them have dominion over the fish of the sea, over the birds of the air, and over
the cattle, over all the earth and over every creeping thing that creeps on the earth.”
Genesis 1:28 Then God blessed them, and God said to them, “Be fruitful and multiply;
fill the earth and subdue it; have dominion over the fish of the sea, over the birds
of the air, and over every living thing that moves on the earth.”
Genesis 2:8 The Lord God planted a garden eastward in Eden, and there He put the
man whom He had formed.
Genesis 2:9 And out of the ground the Lord God made every tree grow that is pleasant
to the sight and good for food. The tree of life was also in the midst of the garden,
and the tree of the knowledge of good and evil.
3. The Scroll Stolen by the Hands of Satan
1 John 5:19 We know that we are of God, and the whole world lies under the sway
of the wicked one.
John 12:31 Now is the judgment of this world; now the ruler of this world will be
cast out.
2 Corinthians 4:4 (NLT) Satan, who is the god of this world, has blinded the minds
of those who don’t believe.
Matthew 4:8 Again, the devil took Him up on an exceedingly high mountain, and
showed Him all the kingdoms of the world and their glory.
Matthew 4:9 And he said to Him, “All these things I will give You if You will fall down
and worship me.”
4. The Scroll Regained into the Hands of the Last Adam
1 Corinthians 15:22 For as in Adam all die, even so in Christ all shall be made alive.
Romans 5:19 For as by one man’s disobedience many were made sinners, so also
by one Man’s obedience many will be made righteous.
1 Corinthians 15:45 And so it is written, “The first man Adam became a living being.”
The person doing the saving can’t have the same problem as the one who needs
to be saved.
Hebrews 2:9 But we see Jesus, who was made a little lower than the angels, for
the suffering of death crowned with glory and honor, that He, by the grace of God,
might taste death for everyone.
The book of Revelation completes the circle of Bible truths.
The first Adam sinned and lost dominion
The last Adam (Jesus) obeyed and regained the dominion the first Adam had lost
The first Adam was defeated and brought death to humanity
The last Adam (Jesus) was victorious and brought life to all who will trust in Him
The first Adam was the king of the old creation
The last Adam (Jesus) is the king of the new creation
Lyrics Woodstock
I came upon a child of god
He was walking along the road
And I asked him, where are you going
And this he told me
I’m going on down to Yasgurs farm
I’m going to join in a rock n roll band
I’m going to camp out on the land
I’m going to try an get my soul free
We are stardust, We are golden
And we’ve got to get ourselves back to the garden.
Luke 23:43 And Jesus said to him, “Assuredly, I say to you, today you will be with Me in Paradise.”
Revelation 11:15 Then the seventh angel sounded: And there were loud voices in
heaven, saying, “The kingdoms of this world have become the kingdoms of our Lord
and of His Christ, and He shall reign forever and ever!”
Revelation 5:10 And have made us kings and priests to our God; And we shall reign on
the earth.”
Romans 6:3 Or do you not know that as many of us as were baptized into Christ
Jesus were baptized into His death?
Romans 6:4 Therefore we were buried with Him through baptism into death, that
just as Christ was raised from the dead by the glory of the Father, even so we also
should walk in newness of life.
Songwriter: Robert Emmett (R.E.) Winsett | Written: 1942 | Genre: Southern Gospel / Worship Hymn | Award: GMA Dove Award – Song of the Year, 1969
Jesus Is Coming Soon song history: This article traces R.E. Winsett’s 1942 Southern Gospel hymn from its World War II setting to its Scripture-rich message about the Second Coming of Christ, its historic Dove Award recognition, and its lasting place in church worship.
The Origin Story: Born in the Shadow of World War II
There are songs that transcend their moment of writing—songs that feel like they were composed for every generation at once. Jesus Is Coming Soon is one of those songs. Written in 1942 by Robert Emmett Winsett, this timeless Southern Gospel anthem emerged from one of the darkest chapters in modern history.
When Winsett penned the opening line—“Troublesome times are here, filling men’s hearts with fear”—the United States had just been jolted into World War II following the attack on Pearl Harbor in December 1941. The Great Depression had already spent a decade hollowing out American communities. Freedom, as the song declares, was genuinely “at stake.” Winsett wasn’t writing metaphor; he was writing headlines.
In the midst of global upheaval, Winsett turned not to despair but to prophecy—anchoring his words in the New Testament’s great hope of Christ’s return. The song was published in 1942, yet it barely caused a stir at first. Winsett would never see it become the beloved standard it is today. He passed away on June 26, 1952, at age 76, unaware that his modest gospel tune was destined to top the charts, win the gospel world’s highest honor, and be sung in sanctuaries across generations and continents.
Songwriter Biography: Robert Emmett Winsett (1876–1952)
Early Life and Musical Formation
Robert Emmett Winsett was born on January 15, 1876, on a farm in Bledsoe County, Tennessee—a rural stretch of Appalachian foothills near the town of Pikeville. From the very beginning, music was woven into his DNA. By the age of seven, young Robert had already experienced a religious awakening and written his first song—a remarkable gift that hinted at a lifetime of sacred creativity.
Winsett was proficient on nine musical instruments and possessed a rare natural gift for harmony. He formalized his musical education at the Bowman Normal School of Music, graduating in January 1899. The training gave structure to his natural gifts, and within a few years he was ready to share them with the world.
Publisher, Evangelist, and Churchman
Around 1903, Winsett founded the R.E. Winsett Song Book Publishing Company in Dayton, Tennessee—one of the earliest gospel music publishing houses in the American South. His first solo compilation, Union Revival Songs, appeared in 1906. Over the next five decades, Winsett authored and compiled dozens of gospel songbooks, with his final publication—Best of All (1951)—selling over one million copies. Across all his titles, total sales exceeded ten million copies.
But Winsett was more than a publisher. He served as a Church of God preacher, evangelist, and pastor. He was also part of the originating committee of the Assemblies of God—one of the founding voices of the American Pentecostal movement—and played a role in establishing a town in Oklahoma during the land-rush era of American expansion. He was, in the truest sense, a builder: of music, of community, and of faith.
Legacy and Honors
In his lifetime, Winsett composed approximately 1,000 gospel songs—a staggering output by any measure. After his death, the gospel world gradually recognized the magnitude of his contribution. In 1969—seventeen years after he died—his song Jesus Is Coming Soon won the very first GMA Dove Award for Song of the Year, beating out the entire Southern Gospel catalog of the era. In 1973, he was inducted into the Gospel Music Hall of Fame, and in 2002 into the Southern Gospel Music Hall of Fame.
Scripture Foundation: What the Bible Says About Christ’s Return
Jesus Is Coming Soon is not simply a catchy chorus—it is a carefully constructed theological proclamation rooted in the New Testament’s teaching on eschatology (the doctrine of last things). Every verse and the chorus itself draw from specific scriptural threads.
Primary Texts
1 Thessalonians 4:16–17 — “For the Lord Himself will descend from heaven with a shout, with the voice of an archangel, and with the trumpet of God. And the dead in Christ will rise first. Then we who are alive and remain shall be caught up together with them in the clouds to meet the Lord in the air.” This passage is the direct inspiration for the chorus: “trumpets will sound… all of the dead shall rise… righteous meet in the skies.”
Matthew 24:42–44 — “Watch therefore, for you do not know what hour your Lord is coming… Therefore you also be ready, for the Son of Man is coming at an hour you do not expect.” The urgency of Christ’s unexpected return drives the entire song’s call to “Christians, awake!”
Revelation 22:12, 20 — “And behold, I am coming quickly, and My reward is with Me… Even so, come, Lord Jesus!” The title phrase “Jesus is coming soon” echoes Christ’s own words in the Revelation.
Matthew 24:12 — “Because lawlessness will abound, the love of many will grow cold.” Verse 2 draws directly on this imagery: “Love of so many cold… evils abound.”
Romans 2:5–16 — Paul’s teaching on the Day of Judgment undergirds the warning tone of the chorus: “Many will meet their doom.”
2 Peter 3:10 — “But the day of the Lord will come as a thief in the night.” The theme of sudden arrival connects to the song’s “morning or night or noon.”
The song’s theology is thoroughly evangelical and pre-millennial in its orientation—it treats the second coming as imminent, visible, and accompanied by a literal trumpet call and bodily resurrection. For congregations that hold to a futurist reading of Matthew 24 and Revelation, this song serves as a powerful affirmation of the blessed hope.
Verse-by-Verse Lyrical Analysis
Verse 1: “Troublesome Times Are Here”
Troublesome times are here, filling men’s hearts with fear, / Freedom we all hold dear, now is at stake; / Humbling your heart to God, saves from chast’ning rod, / Seek the way pilgrims trod, Christians awake!
Winsett opens in pure pastoral urgency. Written in 1942, “troublesome times” was not a vague spiritual metaphor—it was a live newspaper report. The world was at war; freedom was literally at stake as fascism and imperialism swept across Europe and Asia. Yet Winsett’s response is not despair or nationalism—it is humility before God. The phrase “chast’ning rod” alludes to Hebrews 12:6: “For the Lord disciplines the one He loves.” The call to “seek the way pilgrims trod” echoes the imagery of Hebrews 11’s Hall of Faith—the saints who walked by faith through their own troublesome times. The final two words, “Christians, awake!” function as an alarm bell: the song begins not with comfort but with a summons to spiritual alertness.
Verse 2: “Love of So Many Cold”
Love of so many cold, losing their home of gold, / This in God’s Word is told, evils abound; / When these signs come to pass, nearing the end at last, / It will come very fast; trumpets will sound.
Verse 2 is the most theologically dense and, for some interpreters, the most contested verse of the song. Winsett draws from Matthew 24:12 (“the love of many will grow cold”) and Luke 21:28 (“when these things begin to happen, look up”). The phrase “losing their home of gold” may allude to the parable of the Prodigal Son—the squandering of spiritual inheritance—or to the broader theme of Revelation’s imagery of heavenly treasure forfeited through unfaithfulness. The urgency intensifies: “it will come very fast.” This verse functions as a prophetic warning—a signal that those who miss or dismiss the signs will be caught unprepared. Notably, many contemporary worship recordings omit this verse, focusing instead on verses 1 and 3 for their more broadly applicable themes.
Verse 3: “Troubles Will Soon Be O’er”
Troubles will soon be o’er; happy forevermore, / When we meet on that shore, free from all care; / Rising up in the sky, telling this world goodbye; / Homeward we then will fly, glory to share.
If verse 1 is alarm and verse 2 is warning, verse 3 is pure doxology. The tone shifts dramatically from minor-key anxiety to major-key triumph. “Troubles will soon be o’er” mirrors 1 Corinthians 15:54—”Death is swallowed up in victory.” The image of meeting “on that shore” draws on the ancient hymnody of heaven as a promised land across the water—Canaan imagery applied to eternal life. “Rising up in the sky” is the rapture or resurrection in plain language, echoing 1 Thessalonians 4:17. “Telling this world goodbye” is one of the most memorable lines in Southern Gospel literature—a moment of joyful finality. And “glory to share” reminds believers that this homecoming is not private but communal: the entire redeemed company arrives together. This verse is the theological heart of the song’s hope.
The Chorus: “Jesus Is Coming Soon”
Jesus is coming soon, morning or night or noon; / Many will meet their doom, trumpets will sound; / All of the dead shall rise, righteous meet in the skies, / Going where no one dies, heavenward bound.
The chorus is a masterclass in compressed theology. In eight lines and fewer than 50 words, Winsett captures the full arc of eschatological teaching: the imminence of Christ’s return (“morning or night or noon”—alluding to Matthew 24:42 and the unexpected hour), the judgment (“many will meet their doom”), the resurrection (“all of the dead shall rise”—1 Thessalonians 4:16), the gathering of the redeemed (“righteous meet in the skies”—1 Thessalonians 4:17), and the eternal state (“going where no one dies”—Revelation 21:4). The final phrase “heavenward bound” became so iconic that the Singing News used it as a metaphor for the entire genre. The repetition of this chorus after each verse functions as a doxological refrain—a repeated proclamation of the church’s ultimate hope above every troublesome circumstance.
Historical Timeline
Year
Event
January 15, 1876
Robert Emmett Winsett born on a farm in Bledsoe County, Tennessee
~1883 (age 7)
Winsett experiences religious awakening and writes his first song
January 1899
Graduates from Bowman Normal School of Music
~1903
Founds R.E. Winsett Song Book Publishing Company in Dayton, Tennessee
1906
Publishes Union Revival Songs, his first solo songbook compilation
1914
Serves on originating committee of the Assemblies of God
1942
Jesus Is Coming Soon written and published; WWII context shapes its lyrics
1951
Publishes Best of All, his final songbook; sells over 1 million copies
June 26, 1952
R.E. Winsett passes away in Dayton, Tennessee, age 76
1967
The Sheltons record the first professional version on Halo Records (Heart Felt Gospel)
1968
The Inspirations record the song; debut it on Gospel Singing Jubilee TV program
1969
The Oak Ridge Boys record Jesus Is Coming Soon on album It’s Happening!
April 1969
Song wins Song of the Year at the 1st GMA Dove Awards—the first Dove Award ever given
January 1970
Song reaches #1 on inaugural Singing News airplay chart, held by multiple groups simultaneously
1973
R.E. Winsett posthumously inducted into the Gospel Music Hall of Fame
2002
R.E. Winsett inducted into the Southern Gospel Music Hall of Fame
Present
Song remains a staple in Southern Gospel, bluegrass gospel, and traditional church worship worldwide
Notable Recordings and Covers
Year
Artist / Group
Album / Label
Significance
1967
The Sheltons
Heart Felt Gospel (Halo Records)
First professional recording; discovered the song through a piano teacher; directly inspired the Inspirations
1968
Roger McDuff
—
Early recording that helped spread the song’s popularity
1968
The Inspirations
Jesus Is Coming Soon (Mark V Studios)
Pivotal recording; TV debut on Gospel Singing Jubilee launched the song into widespread popularity
1969
The Oak Ridge Boys
It’s Happening! (HeartWarming)
Album won Dove Award Album of the Year; their version became the most widely known recording
1969
Blue Ridge Quartet
—
One of several groups recording in the same year, reflecting the song’s viral spread
1969
The Prophets
—
Contributed to the multi-artist #1 charting on Singing News
1970
The Florida Boys
—
Featured prominently in the song’s multi-month Singing News #1 run
1971
J.D. Sumner & The Stamps Quartet
—
Brought the song to broader audiences through their vast touring reach
1971
The Easter Brothers
—
Bluegrass gospel interpretation
~1970s
Ralph Stanley
—
Bluegrass legend brought the song into Appalachian gospel tradition
~1970s
The Primitive Quartet
—
Traditional quartet arrangement in mountain gospel style
2009
Dailey & Vincent
—
Contemporary bluegrass-gospel duo reintroduced the song to new audiences
Frequently Asked Questions
1. Who wrote “Jesus Is Coming Soon” and when?
Jesus Is Coming Soon was written and composed by Robert Emmett (R.E.) Winsett in 1942. Winsett was a prolific Tennessee-born gospel songwriter, publisher, and Church of God minister who authored approximately 1,000 gospel songs in his lifetime. He wrote the tune—officially titled “Troublesome Times”—against the backdrop of World War II and published it through his own R.E. Winsett Song Book Publishing Company in Dayton, Tennessee.
2. What award did “Jesus Is Coming Soon” win?
The song won Song of the Year at the very first GMA Dove Awards ceremony in 1969—making it the inaugural recipient of what became gospel music’s most prestigious honor. The Dove Awards are hosted annually by the Gospel Music Association, and “Jesus Is Coming Soon” holds the distinction of being the first song ever to receive the Song of the Year award. Notably, the same awards night also saw the Oak Ridge Boys’ album It’s Happening!—which featured the song—win Album of the Year, and Bill Gaither win Songwriter of the Year.
3. What Scripture is “Jesus Is Coming Soon” based on?
The song draws primarily from 1 Thessalonians 4:16–17, which describes the Lord descending from heaven with the trumpet of God, the dead in Christ rising first, and believers being caught up to meet Him in the air. Additional scriptural threads include Matthew 24:42–44 (the call to watchfulness and readiness), Revelation 22:12 and 20 (Christ’s own declaration “I am coming soon”), Matthew 24:12 (love growing cold, referenced in verse 2), and 2 Peter 3:10 (the Day of the Lord coming unexpectedly). The song essentially compresses the New Testament’s eschatological hope into three verses and a chorus.
4. Why is the second verse sometimes left out of recordings?
Verse 2—with lines like “love of so many cold,” “evils abound,” and “when these signs come to pass”—draws from Matthew 24:12 and Luke 21:28, passages that some theologians interpret as referring to the destruction of Jerusalem in A.D. 70 rather than the end times. For congregations and groups that hold to a preterist or amillennial reading of these passages, the verse’s application to the Second Coming is theologically disputed. As a result, many recordings and hymnals opt to use only verses 1 and 3, which carry the more universally applicable themes of spiritual urgency and eschatological hope without the sign-watching framework of verse 2.
5. How can this song be used in worship today?
Jesus Is Coming Soon is a powerful worship tool for any context focused on Advent, eschatology, evangelism, or simple congregational encouragement. Its fast, singable tune makes it accessible to all ages, while its theological depth rewards deeper study. In a worship service, it pairs naturally with sermon series on 1 Thessalonians 4–5, the Olivet Discourse (Matthew 24–25), or Revelation. It can also serve as an altar-call song, given its urgency to “Christians, awake!” and its warning that “many will meet their doom.” For churches with piano or organ traditions, the original four-part harmony arrangement is especially effective. Modern worship bands can also reimagine it with contemporary instrumentation while preserving the integrity of the original lyrics and message.
Have a worship song you’d like to see featured? Leave a comment below or contact us at vbccarthage.org. This post is part of our ongoing Worship Song Deep Dive series.
Church instruments 200 years ago looked and sounded different from what many congregations know today. Around the 1820s, church music was usually led by human voices first. Instruments, when they were used, helped the congregation find the pitch, keep the tune steady, and sing together with confidence.
That means the most important “instrument” in many churches was the gathered congregation. The people sang psalms, hymns, and spiritual songs, often with a song leader, a small choir, or a precentor guiding the melody.
Voices came first
In many Baptist, Methodist, Presbyterian, and frontier churches, singing was simple and practical. Some congregations sang without accompaniment. Others used a tuning fork, pitch pipe, or song leader to begin the hymn. In places where hymnals were scarce or not everyone could read music, a leader might “line out” the hymn by speaking or singing a phrase before the congregation repeated it.
This kind of singing put the words in the center. The goal was not performance. It was worship, memory, doctrine, and congregational participation.
Common instruments in churches 200 years ago
The exact instruments depended on the church, the region, and the people available to play. A rural congregation might have no instrument at all, while a town church might have a small group of musicians. Common church instruments 200 years ago included:
Bass viols or cellos to support the lower part and keep the singing grounded.
Fiddles or violins to carry the melody in smaller churches or singing schools.
Flutes, fifes, clarinets, and bassoons where trained players were available.
Serpents and horns in some congregations, especially where a stronger bass line was needed.
Organs in some established city churches, though many smaller churches did not have one.
In some English and American traditions, singers and instrumentalists sat in a gallery, which is why historians often call this “gallery music” or “west gallery music.” These groups were not bands in the modern worship-service sense. They were local singers and players helping the whole church sing.
Why some churches avoided instruments
Not every church welcomed instruments. Some believers thought instrumental music could distract from the words of the hymn. Others associated certain instruments, especially the fiddle, with dances, taverns, and entertainment. Cost also mattered. A church might want an organ, but a small congregation on the frontier often could not buy or maintain one.
So the question was not simply, “Did churches have music?” They certainly did. The better question is, “How did each congregation help ordinary people sing?” For many churches, the answer was strong voices, familiar tunes, and a leader who knew the hymn well.
What changed over time?
During the 1800s, church music changed quickly. More churches bought organs or pianos. Hymnals became more common. Singing schools taught people to read shaped notes and harmonies. Choirs became more organized. By the late 19th and early 20th centuries, the sound of many American churches was much closer to what people recognize today.
Still, the older pattern has something to teach us. Church instruments 200 years ago were usually servants of congregational singing. Whether a church used only voices, a bass viol, a flute, or a small organ, the aim was to help the Word dwell richly among the people of God.
A simple takeaway for today
The instruments have changed, but the purpose remains. Music in church should help God’s people sing truthfully, clearly, and together. A congregation can thank God for every faithful tool, old or new, that supports that purpose.
Some homes and public places had pianos, but many churches around the 1820s were more likely to sing without accompaniment or use voices, a bass instrument, wind instruments, or an organ where one was available.
Was the organ common in every church?
No. Organs were more common in established and better-funded churches. Many rural and frontier congregations sang without an organ.
What mattered most in church music?
Congregational singing mattered most. Instruments were helpful when they supported the voices of the church.